French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.  Related Paintings of Edgar Degas :. | Madame Rene de Gas | Dancing school | Landscape with Rocky Cliffs | The Dance Class | Details of The Rehearsal |
Related Artists:
John Cleveley
circa 1712-77 English painter, born in Southwark, London. Cleveley did not come from an artistic background
Pier Leone Ghezzi
(Rome, 28 June 1674 - Rome, 6 March 1755) was an Italian Rococo painter and caricaturist active in Rome. Caricature of composer Antonio Vivaldi by Pier Leone GhezziGhezzi was born in Rome. His father, Giuseppe Ghezzi, (1634-1721), also trained Antonio Amorosi, and was a secretary to the Roman Accademia di San Luca. Pier Leone himself joined the Academy in 1705 and he executed a painting, the Allegory of Gratitude, to be donated to the institution, as was customary. He was the godson of Carlo Maratta. Pier Leone is known for his frescoes in the Villa Falconieri of Frascati. His pen and gouache caricatures are much freer in emotion than his state portraiture, and often depict named individuals or professions in satirical fashion.
Antonio Alice
(23 February 1886 - 24 August 1943) was an Argentine portrait painter. He was awarded the Prix de Rome in 1904. Alice, of Italian descent, was born in Buenos Aires, Argentina. His father, an Italian immigrant, was barely literate. His two sisters, Matilde and Santina, posed for several of his paintings. Expelled from school and considered incorrigible for drawing in his textbooks, Alice went to work as a shoeblack. At the age of 11, while sketching Gaucho portraits between shoe shines, he was discovered by Cupertino del Campo, who went on to become the Director of the National Museum of Fine Arts of Buenos Aires. Del Campo referred Alice to the painter, Decoroso Bonifanti who gave the boy his first painting lesson in 1897. In 1904, he was awarded the Prix de Rome (Premio Roma)and entered the Royal Academy of Painting in Turin, studying under Giacomo Grosso, Francisco Gilardi, and Andrea Tavernier. During his four years at the Academy, he was awarded three Gold Medals.